Welcome once again to my poetry page!
I hope each week you will read Dr. Watson’s delightful narrative and then go on to write a poem related to it in some way. All forms of poetry are permitted, and further down the page there is a selection you might like to consider using over the coming weeks.
And here, courtesy of my housemaid Rachel, is this week’s suggested poem to read—a suggestion inspired by the themes and subjects in this week's story. Hopefully you will enjoy the poem, and perhaps it may give you some ideas for a poem of your own or allow you to look at Dr. Watson's story in a new way.
Pity Me Not
By Edna St. Vincent MillayThank you so much to Rachel. A poem that could have been written for Mrs. Gibson.
And I thought we could also have a go at a new poetry form: the
rispetto.
Robert Lee Brewer on
Writer’s Digest gives this definition:
Okay, here’s a new form. Actually, scratch that. This is a very old form (from Italy, no less). Still, new to me anyway. I found more than a few definitions, but here are the two most common variations:
Rispetto No.1: Poem comprised of two quatrains written in iambic (unstress, stress) tetrameter (four feet–or, in this case, 8 syllables).
Rispetto No.2: Poem (or song) comprised of 8 hendecasyllabic (11-syllable) lines–usually one stanza.
Both versions appear to follow this rhyme scheme: ababccdd (though I also found a mention of an abababcc pattern). Plus, I found more than a few sources which claim rispettos were originally written to pay “respect” to a woman.
However, over the centuries, this poem has offered itself up for other subjects and variations. So feel free to experiment.A reminder that a quatrain is a stanza with four lines (so both rispetto forms end up being eight lines long). And a line in iambic tetrameter is ‘te TUM, te TUM, te TUM, te TUM’.
Here is my example (using the second rispetto form):
Sir Sherlock—scientist, knight, thinking machine:
Chivalrous opponent of the fairer sex.
You politely treat me as your honoured queen
And yet, sir, you will not pay me your respects.
Do you honestly think it shows a weak will
Just to think of a woman as your equal?
Dear knight, let neither of us be the vassal!
(And do please stop setting fire to my castle.)But you do not have to use that form. Any form of poetry is welcome this week—and every week! Here are a few suggestions for you:
221B verselet,
abecedarian poetry,
acrostic poetry,
alexandrine,
ballad,
beeswing,
blackout poetry,
blitz poem,
blues stanza,
bref double,
Burns stanza,
call and response,
chastushka,
cinquain,
circular poetry,
clerihew,
colour poems,
compound word verse,
concrete poetry,
Cornish verse,
curtal sonnet,
diamante,
doggerel,
double dactyl,
echo verse,
ekphrasis,
elegiac couplet,
elegiac stanza,
elfje,
englyn,
epigram,
epistle,
epitaph,
epulaeryu,
Etheree,
fable,
Fib,
florette,
found poetry,
free verse,
ghazal,
haiku,
hay(na)ku,
In Memoriam stanza,
Italian sonnet,
jueju,
kennings poem,
lanturne,
lies,
limerick,
line messaging,
list poem,
lyric poetry,
mathnawī,
micropoetry,
mini-monoverse,
musette,
nonsense verse,
palindrome poetry,
pantoum,
Parallelismus Membrorum,
poem cycle,
quintilla,
renga,
rhyming alliterisen,
riddle,
rime couée,
rispetto,
Schüttelreim,
sedoka,
septet,
sestina,
sonnet,
stream of consciousness,
tanka,
tercet,
terza rima,
tongue twister poetry,
triangular triplet,
triolet,
Tyburn,
villanellePlease leave all your poems inspired by
The Problem of Thor Bridge in the comments on this post. I look forward to seeing them!
Warm regards,
Mrs. Hudson